IndieWire

indiewire.comadded August 2026

John Malkovich Could Finally Win an Oscar as ‘Wild Horse Nine’ Emerges as First Major Academy Awards Contender of the Fall

IndieWireby Marcus Jones3 Sept 2026

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From Assault Allegations to Fights Over Unpaid Bills: Bruin Theatre Chief Rui Pereira’s Scandals Go Back Years

IndieWireby Alison Foreman3 Sept 2026

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‘Once Upon a Time in Harlem’ Trailer: William Greaves’ Portrait of Harlem Renaissance Luminaries Is a Living Piece of History

IndieWireby Christian Zilko3 Sept 2026

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Inside Anonymous Content’s Comeback: A New CEO, a Controversial Elon Musk Doc and Climate Change Drama ‘A Statement’ Have Hollywood Buzzing

IndieWireby Brent Lang3 Sept 2026

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‘Wild Horse Nine’ Review: Martin McDonagh’s Prickly but Unconvincing CIA Satire Recasts ‘In Bruges’ as the Stuff of a Classic Western

IndieWireby David Ehrlich3 Sept 2026

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‘By Any Means’ Review: Tragic American History Takes the Shape of Classic Buddy Cop Tropes

IndieWireby Christian Zilko3 Sept 2026

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‘Too Much Sugar’ Review: Robert Greene Continues Pushing Art as Therapy to New Heights

IndieWireby Christian Zilko3 Sept 2026

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‘Bucking Fastard’ Review: The Mara Sisters Commit to Werner Herzog’s Wonderfully Weird Bit as Lovestruck Twins Who Move and Speak in Unison

IndieWireby Ryan Lattanzio3 Sept 2026

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Telluride 2026: New Movies Starring Andrew Scott, Julianne Moore, and John Malkovich Anchor This Year’s Likely Oscar Contenders

IndieWireby Anne Thompson3 Sept 2026

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‘La Bola Negra’: Before Netflix’s Gay Epic Became an Oscar Frontrunner, It Had to Survive the Breakup of Its Directors

IndieWireby Anne Thompson3 Sept 2026

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‘Mayday’ Directors John Francis Daley and Jonathan Goldstein on the Cold War Thriller and Their Plans for a ‘Dark’ ‘Star Trek’ Reboot

IndieWireby Brent Lang3 Sept 2026

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Fans Will Always Argue About Who Is the Best James Bond, but ‘Live and Let Die’ Makes the Answer Clear

IndieWireby Jim Hemphill3 Sept 2026

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‘Everest: The Other Side’ Review: A Grieving Ski Mountaineer Scales the Face of Death in Chai Vasarhelyi and Jimmy Chin’s Climbing Doc

IndieWireby Ryan Lattanzio3 Sept 2026

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Can Rupert Murdoch Origin Story ‘Ink’ Push Danny Boyle, Jack O’Connell, Guy Pearce, and Netflix Into the Oscar Race?

IndieWireby Marcus Jones2 Sept 2026

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How Trump’s Call for a Federal Film Production Incentive Could Actually Help Hollywood

IndieWireby Chris O'Falt2 Sept 2026

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‘Chronovisor’ Review: An Occult Thriller Turns Academic Obsession Into Something Beguiling and Wildly Compelling

IndieWireby Wilson Chapman2 Sept 2026

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‘Ink’ Review: Danny Boyle’s Rupert Murdoch Pressure Cooker Is a Journalism Thriller Tabloid-Ready for Our Political Apocalypse

IndieWireby Ryan Lattanzio2 Sept 2026

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In Between ‘Midnight Run’ and ‘Goodfellas,’ Robert De Niro Gave One of His Best Performances in a Movie Barely Anyone Saw

IndieWireby Jim Hemphill2 Sept 2026

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Venice Jury President Maggie Gyllenhaal Decries ‘Systemic’ Lack of Female Directors in Competition

IndieWireby Marcus Jones2 Sept 2026

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Fall Festival Movies Sold So Far: ‘Babies,’ ‘Ink,’ and ‘Elsinore’ Lead Early Deals From Venice and TIFF

IndieWireby Brian Welk2 Sept 2026

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