IndieWire

indiewire.comadded August 2026

From Nathan Fielder’s Buzzy Elizabeth Holmes Doc to Robert Pattinson’s Divisive ‘Primetime’: Venice and Telluride’s Winners and Losers

IndieWireby Ryan Lattanzio27d ago

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‘The Housewife’ Review: Naomi Watts Stuns, but This True Story Flounders Under Its Own Weight

IndieWireby Kate Erbland27d ago

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‘Makikiraan Po (Let Us Through, Dear Ancestors)’ Review: Lav Diaz and Isabel Sandoval Team Up for a Mournful, Modest Anti-Colonial Drama

IndieWireby Ryan Lattanzio27d ago

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‘American Hostage’ Review: Jon Hamm Anchors a Tepid Period Drama on Timely Threats to the Fourth Estate

IndieWireby Ben Travers27d ago

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‘Lovers in the Blue Night’ Review: Anuparna Roy Returns with a Dreamy, Pained Drama About Desire and Displacement

IndieWireby Ryan Lattanzio27d ago

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‘A Bit of Light’ Review: Ali Asgari’s Iranian Answer to ‘It’s a Wonderful Life’ Is a Bit of a Miracle

IndieWireby Ryan Lattanzio27d ago

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‘One Minute to Midnight’ Review: Melvil Poupaud Reckons with His Past in a Too-Talky Parisian Drama

IndieWireby Ryan Lattanzio27d ago

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How Mark Zuckerberg’s Doomsday Escape Plan and ‘Eyes Wide Shut’ Inspired Florian Zeller to Create ‘Bunker’ for Penélope Cruz and Javier Bardem

IndieWireby Brent Lang27d ago

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How Two Oscar Winners Are Charting New Paths for Indian Cinema at TIFF with ‘Dorothy’ and ‘Termite’

IndieWireby Ryan Lattanzio27d ago

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‘Burgundy’ Review: A Warm, Witty Winemaking Vibe Documentary You’ll Want to Pair with a Glass of Red

IndieWireby Ryan Lattanzio27d ago

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One of the Year’s Best Film Books Celebrates the Unsung Artists That Turned ‘The Women’ Into a Classic

IndieWireby Jim Hemphill27d ago

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Korean Star Jeon Do-yeon’s Outstanding ‘Possible Love’ Performance Could Earn Venice’s Best Actress Prize — or Lee Chang-dong the Golden Lion

IndieWireby Ryan Lattanzio27d ago

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Def Leppard Documentary Coming to Theaters Courtesy of Bleecker Street and Crosswalk

IndieWireby Brent Lang27d ago

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‘Moonfish’ Review: This Existential Outer Space Abandonment Saga Is a Bizarro ‘Project Hail Mary’

IndieWireby Christian Zilko27d ago

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‘Being Heumann’ Review: Siân Heder’s ‘CODA’ Follow-Up Is an Essential Biopic That’s Not Afraid to Have Some Fun

IndieWireby Kate Erbland28d ago

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The Criterion Collection Just Got Its First Physical Outpost in Toronto

IndieWireby Kate Erbland28d ago

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‘Colin from Accounts’ Final Season Is for the F*ck-Ups

IndieWireby Ben Travers28d ago

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Tessa Blake Directed Over 50 Hours of Television Before Embarking on Her First Feature. The Experience Paid Off

IndieWireby Jim Hemphill28d ago

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Cody Fern Wrote His Directing Debut ‘Closing Night’ for Sarah Paulson: ‘She’s Like a Bugatti’

IndieWireby Ryan Lattanzio28d ago

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New Documentary ‘Capturing Bigfoot’ Blows the Legend of the Sasquatch Wide Open — Watch Trailer

IndieWireby Jim Hemphill28d ago

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