‘Idiocracy’ at 20: How a Failed Comedy Became an Unlikely Metaphor for America
IndieWireby Ryan Lattanzio·24d ago
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‘Closing Night’ Review: Even Sarah Paulson and Naomi Watts Can’t Save This Mangled Misfire of a Melodrama
IndieWireby Kate Erbland·24d ago
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‘Ladies and Gentlemen, Brian Mulroney’ Review: Matthew Rankin’s Psychedelic Tour Through Mid-Century Canadian Conservative Politics
IndieWireby David Ehrlich·24d ago
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‘Evil Genius’ Review: Patricia Arquette and David Harbour Take on a Horrifying True Crime Story
IndieWireby Kate Erbland·24d ago
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‘Minotaur’ Trailer: Thrilling, Cannes-Winning Russian Noir Updates ‘Unfaithful’ for Even More Hopeless Times
IndieWireby Ryan Lattanzio·24d ago
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Andrew Scott Knew How to Play Hamlet, but ‘Elsinore’ Required Him to Channel Another Actor
IndieWireby Anne Thompson·24d ago
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‘The Surgeon’ Review: Michelle Yeoh Doctors a Gang of Mobsters to Death in a Fun Little Action Movie That Gets by on Its Grossness
IndieWireby David Ehrlich·24d ago
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‘The Life and Deaths of Wilson Shedd’ Review: Amanda Seyfried Falls for a Convicted Killer in Tim Blake Nelson’s Sad and Sober Death Penalty Drama
IndieWireby David Ehrlich·24d ago
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‘All That She Wants’ Review: It’s Time to Welcome Annie Murphy to the Rom-Com Queen Club
IndieWireby Kate Erbland·24d ago
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‘Love of Your Life’ Review: Margaret Qualley Plays a Woman Adrift in the Kind of Lush and Tender Romantic Drama Hollywood Rarely Makes Anymore
IndieWireby David Ehrlich·25d ago
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‘Lanterns’ Review: Episode 5 Lights Up Rushville with a Sh*tstorm of Consequences — Spoilers
IndieWireby Ben Travers·25d ago
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‘How We Stand’ Review: Amber Midthunder Stars in a Richly Drawn, Magical-Realist Indigenous Tale
IndieWireby Ryan Lattanzio·25d ago
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Why Do Men Keep Telling Anna Biller She’s ‘Camp’?
IndieWireby Alison Foreman·25d ago
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‘The Uprising’ Bombs at Box Office Despite Last-Ditch Scramble to Market Film as Robin Hood Origin Story
IndieWireby Brent Lang·25d ago
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From Tragedy to ‘Everest’: Inside Jimmy Chin and Chai Vasarhelyi’s Most Ambitious Film Yet
IndieWireby Anne Thompson·25d ago
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‘I Play Rocky’ Review: Sylvester Stallone’s Wild Hollywood Underdog Story Gets a Punchy Crowdpleaser
IndieWireby Kate Erbland·25d ago
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‘Mr. Irrelevant’ Trailer: David Corenswet Toughs and Smiles His Way to the NFL as Last Draft Pick John Tuggle
IndieWireby Brian Welk·25d ago
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‘Practical Magic 2,’ the Sequel to a 28-Year-Old Box Office Bomb, Opens to Lackluster $30 Million
IndieWireby Brent Lang·25d ago
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How Susanna White Brought Lauded One-Woman Play ‘Prima Facie’ to the Big Screen (Casting Cynthia Erivo Helped)
IndieWireby Kate Erbland·25d ago
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‘The Remotes’ Review: John Torres’ Sci-Fi Noir is an Unshakable Film About a Sinister Navigation App
IndieWireby David Ehrlich·25d ago
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