IndieWire

indiewire.comadded August 2026

Watch an Exclusive Look at NYFF World Premiere ‘I Deserve a Lover Whose Every Rise Sets Fiery Dooms Raging Across the Skies’

IndieWireby Ryan Lattanzio17d ago

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Paramount Reaches Settlement to End States’ Lawsuit, Paving Way for Merger with Warner Bros. Discovery

IndieWireby Kate Erbland17d ago

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‘Phoolan’ Review: A Biopic About a Rebellious Indian Feminist Is Undone by its Ramshackle Structure

IndieWireby David Ehrlich17d ago

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‘The Further Mis-Adventures of Cliff Booth’ Trailer: Brad Pitt’s Tarantino Stuntman Returns in 1977 Hollywood for Fincher’s Sequel

IndieWireby Ryan Lattanzio17d ago

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‘Paradise Lost’ Review: ‘Train to Busan’ Director Yeon Sang-ho Returns with a Limp and Lurid Grief Drama About Virtual Reality

IndieWireby David Ehrlich17d ago

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‘Lanterns’ Review: Episode 6 Embraces ‘Bad Optics’ with a Clever Revival — Spoilers

IndieWireby Ben Travers17d ago

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Zach Cregger’s ‘Resident Evil’ Grossed More in Its Opening Weekend Than the First Film Made in Its Entire Run

IndieWireby Brent Lang18d ago

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Which Fall Festival Favorites Are Now in the Oscar Race?

IndieWireby Marcus Jones18d ago

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Duncan Jones on Why It’s ‘Harder Than Ever’ to Make His Kind of Movies (and Why He Refused to Use AI for His Newest One)

IndieWireby Kate Erbland18d ago

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The 2026 Toronto International Film Festival Awards Are Being Announced Right Now (Updating)

IndieWireby Kate Erbland18d ago

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Box Office: John Wilson’s ‘The History of Concrete’ from Magnolia Becomes IFC Center’s Second Biggest Debut

IndieWireby Brent Lang18d ago

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How to Run a Microcinema with John Wilson

IndieWireby Sarah Shachat19d ago

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‘The Daughters of Abraham’ Review: Individualism and Community Test Each Other’s Limits in an Interfaith Friendship Drama

IndieWireby Christian Zilko19d ago

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Trying to Picture Doomsday? 1983’s ‘WarGames’ Already Showed Us One Way AI Could End the World

IndieWireby Alison Foreman19d ago

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Phil Lord and Chris Miller to Deliver Keynote Conversation at IndieWire’s Future of Filmmaking Summit

IndieWireby Christian Zilko20d ago

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‘Best of the Best’ Pulls Off the Perfect Heist Through Its Dance Numbers

IndieWireby Sarah Shachat20d ago

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Mike Leigh Movies Always Start Without a Script. Watch the ‘Tender Loving Care’ Director and Cast Break Down His Unique Filmmaking Process

IndieWireby Christian Zilko20d ago

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‘NAZA,’ Israeli Military Doc from ‘No Other Land’ Directors, Sets Speedy Fall Release in U.S.

IndieWireby Christian Zilko20d ago

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‘Monster,’ the TV Show, Devolves Into a Poor Impersonation of ‘Monster’ the Movie

IndieWireby Ben Travers20d ago

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Aaron Sorkin Was His Own ‘Second Choice’ to Direct ‘The Social Reckoning’ — David Fincher Was His First

IndieWireby Chris O'Falt20d ago

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