Liam and Noel Gallagher Skip Oasis Documentary Press Conference at Venice Film Festival
Varietyby Ellise Shafer·5 Sept 2026
In news that might not surprise anyone, Liam and Noel Gallagher skipped the Venice Film Festival press conference for their upcoming Disney+ documentary “Oasis: Don’t Look Back in Anger” on...
Aflac Taps Affleck for Commercials to Keep Insurance Customers Quacking
Varietyby Brian Steinberg·5 Sept 2026
It seems as simple as moving a few letters around, but a new collaboration between Aflac, the provider of supplemental insurance and Ben Affleck, the actor and director, has been years in the...
‘Our Share of Sand’ Review: A Brooding Indian Social Drama Told Through the Eyes of a Young Girl
Varietyby Siddhant Adlakha·5 Sept 2026
A keenly observed class drama shown through the eyes of a child, Shalini Adnani’s “Our Share of Sand” overcomes its characters’ narrow construction through its brooding intensity.
‘Tom and Jerry: Forbidden Compass’ Review: The Famous Cat-and-Mouse Duo Are Not Themselves In a Chaotic Chinese Cartoon
Varietyby Guy Lodge·5 Sept 2026
That title gives a first clue towards how misbegotten and compromised this new Tom and Jerry joint is.
Robert Pattinson Wants Chris Hansen to Like ‘Primetime’ Despite His Criticisms: ‘I Hope the Inspiration His Character Has Given Is Some Kind of Compliment’
Varietyby Elskes·5 Sept 2026
Robert Pattinson wants Chris Hansen to like “Primetime,” a tense thriller about the television journalist and “To Catch a Predator” host, which premieres on Saturday afternoon at the Venice Film...
Marion Cotillard Praises Venice Biennale College Cinema Workshop: ‘Not all Films Are Destined to Draw Millions of Viewers and Turn a Profit’
Varietyby Nvivarelli·5 Sept 2026
Oscar-winner Marion Cotillard (“La Vie en Rose”) is at the Venice Film Festival in a new guise, as tutor of Biennale College Cinema, the workshop allowing emerging filmmakers to develop and produce...
‘Mr Nelson, Did You Kill People?’ Review: An Assaultive Yet Turgid and Outdated Vietnam PTSD Drama
Varietyby Jessica Kiang·5 Sept 2026
If Shinya Tsukamoto‘s “Mr Nelson, Did You Kill People?” were the first, or even the 51st, movie to litigate the atrocities committed by U.S.
‘Everest: The Other Side’ Review: The ‘Free Solo’ Directors Return With Another Extreme Sports Doc, This Time Tainted by Tragedy
Varietyby Guy Lodge·5 Sept 2026
“Because it’s there” is the famous, possibly apocryphal, reply attributed to British mountaineer George Mallory when asked why he wanted to climb Mount Everest.
‘The Liberation’ Review: Carrie Coon Is Breathtaking as a Woman Lured by a Cult in Guy Nattiv’s Deeply Personal Film
Varietyby Tomilaffly·5 Sept 2026
“You carry a lot of weight around, don’t you?” In Guy Nattiv’s observant, harrowing and unmistakably feminine “The Liberation,” this line marks the first time someone truly sees through...
Swiss Projects at the Venice Gap-Financing Market: Natural Disaster, Complicated Romance, Exploited Migrants, Murder Mystery in Montana
Varietyby Emeza805·5 Sept 2026
Both well-established and up-and-coming Swiss filmmakers are taking part in the Venice Film Festival’s Production Bridge industry strand, where Switzerland will be one of the country’s in focus at...
Rubaiyat Hossain on Bodies, Beauty and Venice, Toronto and London-Bound ‘The Difficult Bride,’ Clip Unveiled (EXCLUSIVE)
Varietyby Naman Ramachandran·5 Sept 2026
The idea for “The Difficult Bride” traces back to a story Rubaiyat Hossain heard as a 7 year old, visiting a Dhaka beauty parlor with her mother. “There was a bride who died there,” Hossain says.
Mad Solutions and Haitham Dabbour’s Irth Platform Announce Strategic Pan-Arab Content Partnership in Venice
Varietyby Nvivarelli·5 Sept 2026
Pan-Arab distributor Mad Solutions and Egyptian multihyphenate Haitham Dabbour’s Irth platform dedicated to supporting standout writers across the Arab world announced a strategic partnership on...
Lav Diaz Preps False Prophets Film and Jose Rizal’s ‘Noli Me Tangere’ Adaptation, Unpacks Venice Title ‘Let Us Through, Dear Ancestors’ (EXCLUSIVE)
Varietyby Naman Ramachandran·5 Sept 2026
Lav Diaz is developing a film about false prophets and a screen adaptation of José Rizal’s “Noli Me Tangere,” the Filipino auteur reveals, alongside details on “Let Us Through, Dear Ancestors”...
As Swiss Films Expand International Reach, English-language Works Are on the Rise
Varietyby Emeza805·5 Sept 2026
Swiss cinema is resonating domestically and abroad as homegrown films and international co-productions continue to entice local audiences and festival goers around the globe.
‘Elsinore’ Review: Andrew Scott Is Powerfully Moving as Ian Charleson, the ‘Chariots of Fire’ Star Who Played Hamlet While Ravaged by AIDS
Varietyby Owen Gleiberman·5 Sept 2026
“Elsinore,” named for Hamlet’s castle, opens on a production of that Shakespeare play at the National Theatre in London — but we see it from the bored, amused vantage of the backstage technicians...
‘The Echo Chamber’ Starring Alicia Vikander Seals International Distribution Deals Ahead of Venice Premiere (EXCLUSIVE)
Varietyby Elskes·5 Sept 2026
“The Echo Chamber,” Andrea Pallaoro’s drama starring Alicia Vikander, Luca Marinelli and Susan Sarandon, has already landed distribution across a raft of key international territories ahead of its...
Spain’s Impulse Cinema and Italy’s Fandango Forge Strategic Partnership to Boost Co-Production and Sales Opportunities (EXCLUSIVE)
Varietyby Nvivarelli·5 Sept 2026
Spanish indie studio Impulse Cinema and Italy’s Fandango have forged a strategic partnership to boost Spanish and Italian productions through co-production, financing, distribution and global...
Impact of War in Iran Set to Feature in Two Venice Film Festival Dramas
Varietyby Nvivarelli·5 Sept 2026
With war still ravaging Iran — six months after the country was attacked by U.S. and Israeli forces — the Venice Film Festival is set to launch two Iranian films that will provide viewers vivid...
‘The Idiot(s)’ Review: Dostoevsky Is an Endearing Drunken Fool in This Rambunctious, Tonally Off-Kilter Two-Hander
Varietyby Carlos Aguilar·5 Sept 2026
As biographical films on major historical figures go, “The Idiot(s)” starts off with an advantage over most, since it covers only a finite, conflict-laden passage of its subject’s storied life.
Venice Immersive Celebrates 10 Years of XR Evolution and the Growth of Location-Based Entertainment
Varietyby Carolehorst·5 Sept 2026
Ten editions in, Venice Immersive has plenty to celebrate — just don’t expect the new-media showcase to spend much time looking back.
Your filters hide everything on this page. Adjust them in preferences.