IndieWire

indiewire.comadded August 2026

Robert Pattinson Won’t Be the Only ‘Primetime’ Star to Generate Oscar Buzz

IndieWireby Marcus Jones5 Sept 2026

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‘Elsinore’ and ‘The Liberation’ Launch TV Stars Andrew Scott and Carrie Coon Into the Oscar Race

IndieWireby Anne Thompson5 Sept 2026

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‘The Difficult Bride’ Turns South Asia’s Beloved Wedding Tropes Into Feminist Folk Horror at Venice

IndieWireby Ryan Lattanzio5 Sept 2026

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What I Learned Watching Six Hours of Gen-AI Short Films for the Reply AI Film Festival

IndieWireby Brian Welk5 Sept 2026

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‘Citizen Osama’ Review: A Direct, Disarming View of Daily Horrors in Gaza from the POV of a Journalist and New Father

IndieWireby Ryan Lattanzio5 Sept 2026

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‘Primetime’ Review: Robert Pattinson Is Even Creepier Than IRL Chris Hansen in a Bleakly Invigorating ‘To Catch a Predator’ Thriller

IndieWireby Ryan Lattanzio5 Sept 2026

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‘The Row’ Review: One Man’s Tragedy-Inspired Voyages Across the Pacific Are Turned Into a Branding Exercise

IndieWireby Christian Zilko5 Sept 2026

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‘Elsinore’ Review: Andrew Scott’s Towering Performance as a Dying Actor Can’t Overcome AIDS-Movie Awards Bait Clichés

IndieWireby Ryan Lattanzio5 Sept 2026

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This September, ‘Remember Me’: The 2010 Robert Pattinson Film That Sounds Like Something He Made Up

IndieWireby Alison Foreman5 Sept 2026

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‘A Long Winter’ Review: Andrew Haigh Goes Cold with an Immaculately Crafted Coming-of-Age Story Too Restrained for Its Own Good

IndieWireby David Ehrlich5 Sept 2026

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‘Tender Loving Care’ Review: Kate O’Flynn Astonishes in Mike Leigh’s Simple but Profoundly Moving Final Film

IndieWireby David Ehrlich5 Sept 2026

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Inside the Telluride Opening Day Brunch: John Malkovich, Carrie Coon, and the Questions on Everyone’s Minds

IndieWireby Anne Thompson4 Sept 2026

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‘Chronovisor’ Directors Measured Twice and Cut Film Once to Tell a Text-Based Thriller

IndieWireby Sarah Shachat4 Sept 2026

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‘The Basics of Philosophy’ Review: Paul Schrader’s Lurid Study of a Predatory Intellectual Is Quietly Explosive, but Not Dangerous Enough

IndieWireby Ryan Lattanzio4 Sept 2026

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‘Furies’ Review: An Anarchic Lebanese Heist Thriller Blazes Past Borders and Genre Cliches

IndieWireby Ryan Lattanzio4 Sept 2026

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Abel Ferrara Only Went Hollywood Once, but It Resulted in a Horror Classic

IndieWireby Jim Hemphill4 Sept 2026

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‘Mr. Nelson, Did You Kill People?’ Review: Shinya Tsukamoto Directs a Bizarre Misfire About a Black Soldier in Vietnam

IndieWireby Christian Zilko4 Sept 2026

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‘15/18 (A Place to Heal)’ Review: A Taboo-Busting Dramedy Set Inside a Psychiatric Ward for Teens

IndieWireby David Ehrlich4 Sept 2026

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‘Queer Edward II’ Review: Intimate Derek Jarman Documentary Channels the Power of Articulate, Angry and Artful Queer Protest

IndieWireby Kate Erbland4 Sept 2026

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George Clooney-Backed Lebanese Heist Thriller ‘Furies’ Set to Electrify Venice — Watch First Clip

IndieWireby Ryan Lattanzio4 Sept 2026

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