‘Monsters of God’ Director Eric Goode Breaks Down the Finale Reveal: ‘He Was Like an Alcoholic Running a Liquor Store’
IndieWireby Marcus Jones·7 Sept 2026
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‘Look Back’ Review: Hirokazu Kore-eda’s Hyper-Faithful Adaptation Draws Rich and Dazzling New Textures from Manga and Anime
IndieWireby David Ehrlich·7 Sept 2026
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Werner Herzog on David Lynch, AI, and Why His Unhinged New Film ‘Bucking Fastard’ Skipped Cannes for Venice
IndieWireby Ryan Lattanzio·7 Sept 2026
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Rob Reiner Wins Posthumous Emmy, Julie Andrews, ‘Widow’s Bay’ Among Others Honored at Creative Arts Emmys
IndieWireby Brent Lang·7 Sept 2026
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‘You Can See Everything’ Review: Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes Documentary Is Boundary-Pushing and Absurd
IndieWireby Ryan Lattanzio·7 Sept 2026
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‘Lanterns’ Review: Episode 4 Is All About ‘The Weenie'(s) — Spoilers
IndieWireby Ben Travers·7 Sept 2026
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A24 Reveals Telluride Secret Screening: It’s Nathan Fielder and Lance Oppenheim’s Documentary About Elizabeth Holmes
IndieWireby Anne Thompson·7 Sept 2026
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Jesse Eisenberg’s ‘The Debut’ Serves Up an Oscar-Worthy Julianne Moore — Here’s How He Did It
IndieWireby Anne Thompson·6 Sept 2026
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‘Woman Unknown’ Review: May el-Toukhy’s Paranoid Period Thriller Depicts the Degradation of Women Accused of Sleeping with Nazis
IndieWireby David Ehrlich·6 Sept 2026
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‘Hombre Al Agua’ Review: Gael García Bernal’s Meta Reflection on Narrative Fascinates and Frustrates
IndieWireby Kate Erbland·6 Sept 2026
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‘The Echo Chamber’ Review: Luca Marinelli and Alicia Vikander Are Sublime in a Brooding Addiction Romance Directed from Bertolucci’s Last Script
IndieWireby Ryan Lattanzio·6 Sept 2026
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Creative Arts Emmys Night 1: Strong Showings for Bad Bunny, the Muppets, and ‘The Traitors’
IndieWireby Christian Zilko·6 Sept 2026
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‘The Difficult Bride’ Review: A Haunted Bridal Parlor Drama with Untapped Potential
IndieWireby Kate Erbland·6 Sept 2026
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‘Possible Love’ Review: Two Married Couples Begin to Covet Each Others’ Lives in the Latest Stunner from ‘Burning’ Director Lee Chang-dong
IndieWireby David Ehrlich·6 Sept 2026
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‘The Debut’ Review: Julianne Moore Shines in Jesse Eisenberg’s Story of Midlife Reinvention in Community Theater
IndieWireby Christian Zilko·6 Sept 2026
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Susan Sarandon Says Roles Are Still Being ‘Taken Away’ from Her Amid Support of Palestine
IndieWireby Marcus Jones·6 Sept 2026
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Danny Boyle Talks Returning to Telluride and Fighting to Make His Tabloid Sensation ‘Ink’
IndieWireby Anne Thompson·6 Sept 2026
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‘The Illusion of an Everlasting Summer’ Review: A Photographer’s Portrait of Two Argentine Cousins Poignantly Captures the Passage of Time
IndieWireby Christian Zilko·6 Sept 2026
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‘Making Marie Antoinette’ Review: Eleanor Coppola’s Tender Documentary About Her Daughter’s Masterpiece Doubles as a Wistful Self-Portrait
IndieWireby David Ehrlich·6 Sept 2026
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‘Oasis: Don’t Look Back in Anger’ Review: The Gallaghers’ Concert Doc Is a Reason for Celebration
IndieWireby David Ehrlich·5 Sept 2026
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