‘Place to Be’ Review: Ellen Burstyn Is Radiant in Otherwise Lackluster Late-Life Drama
IndieWireby Kate Erbland·29d ago
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Meira Blaustein, Co-Founder, Executive Director, and Head Programmer of The Woodstock Film Festival Stepping Down After 26 Years
IndieWireby Brent Lang·29d ago
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From ‘Heathers’ to ‘Practical Magic 2,’ Denise Di Novi Keeps Her Filmmaking Personal
IndieWireby Jim Hemphill·29d ago
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‘Union Town’ Review: Barbara Kopple Returns to Her Labor Roots by Unevenly Covering the Plight of New York Delivery Workers
IndieWireby Christian Zilko·29d ago
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‘The Uprising’ Review: Paul Greengrass Turns the Peasants’ Revolt of 1381 Into an Unapologetic Work of 21st Century Populism
IndieWireby Christian Zilko·29d ago
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Summer Box Office Hit an All-Time High in 2026 — We’re So Back, Right? And 4 Other Takeaways
IndieWireby Brian Welk·8 Sept 2026
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‘Company’ Review: Casey Affleck’s Nesting Doll Narrative Is Pretty but Directionless
IndieWireby Christian Zilko·8 Sept 2026
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As ‘Christine’ Turns 10, Rebecca Hall and Its Filmmakers Fear a Series of Corporate Bankruptcies Could Make the Film Disappear
IndieWireby Brent Lang·8 Sept 2026
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Telluride Boosts Oscar Chances, from ‘Wild Horse Nine’ to ‘La Bola Negra,’ but Is A24’s Controversial Elizabeth Holmes Doc a Contender Too?
IndieWireby Anne Thompson·8 Sept 2026
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‘Bunker’ Review: A Tech Billionaire Asks Javier Bardem to Build a Doomsday Ark in Florian Zeller’s Heavy-Handed Social Thriller
IndieWireby David Ehrlich·8 Sept 2026
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‘Practical Magic 2’ Review: Sandra Bullock and Nicole Kidman Break Hearts in a Spellbinding Sequel
IndieWireby Alison Foreman·8 Sept 2026
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‘Alpha Gang’ Review: Léa Seydoux Leads an All-Star Cast of Motorcycle-Loving Aliens in the Zellner Brothers’ Wacky Sci-Fi Pastiche
IndieWireby David Ehrlich·8 Sept 2026
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The Downtown Festival Sets 2026 Film Lineup, Including Paul Schrader, Ethan Hawke and Siyou Tan
IndieWireby Sarah Shachat·8 Sept 2026
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‘Joie de Vivre’ Review: Luca Guadagnino’s Obsessive Bertolucci Doc Is a 7-Hour Cinema Paradiso Even More Fascinating for What It Leaves Out
IndieWireby Ryan Lattanzio·8 Sept 2026
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TIFF Finally Has a Formal Film Market, but Sellers and Buyers Still Don’t Know What to Expect
IndieWireby Brian Welk·8 Sept 2026
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‘Musk’ Review: Alex Gibney’s Distressing Biography of an Uber-Wealthy Tech Bro Is Less Bombshell Than Summary of How We Got Here
IndieWireby Ryan Lattanzio·8 Sept 2026
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Alex Gibney Warns Elon Musk’s DOGE Data Could Be Used ‘for an AI to Influence the Election’
IndieWireby Ryan Lattanzio·8 Sept 2026
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‘Musk’ Teaser: The Wealthiest Man in the World Becomes Alex Gibney’s Latest Documentary Subject
IndieWireby Christian Zilko·7 Sept 2026
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Sandra Hüller’s Star Keeps Rising, but She’s Still Adjusting to Life in the Public Eye
IndieWireby Anne Thompson·7 Sept 2026
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From ‘Scream 7’ to ‘Coyote vs. Acme,’ We’re Living in the Age of the Protest Ticket
IndieWireby Alison Foreman·7 Sept 2026
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